Love Island: the urge to bare all in public has been around as long as TV itself
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A new series of Love Island is upon us and, at this point in the programme’s life, we know what to expect: a group of beautiful young people will spend the summer looking for love – or at least something resembling love – and imagining how many more InsLove Island: the urge to bare all in public has been around as long as TV itself
A new series of Love Island is upon us and, at this point in the programme’s life, we know what to expect: a group of beautiful young people will spend the summer looking for love – or at least something resembling love – and imagining how many more Instagram followers they will have when they return to the UK. The tabloid newspapers will give the stars of the programme top billing, with the usual galleries of beefcake and bikini shots. Non-viewers, meanwhile, will be mystified by Twitter trends referring to what’s happening on Love Island – and there will be a fair amount of hand-wringing from critics about why people go on the programme and why other people watch it. In 2018, Love Island’s popularity among television audiences was echoed by BAFTA voters, with the programme winning the BAFTA for Reality and Constructed Factual. Although it’s a BAFTA category that often raises eyebrows, the win reflected the programme’s presence in the cultural zeitgeist. Of course, what would have made the Islanders different to us 20 years ago – their willingness to expose themselves on television – is what makes them similar to us now. Most of us live some of our lives on screens – whether...