Symphonic grandeur
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No wonder critics were bewildered by Brahm’s Violin Concerto in 1879. Not only is it a monumental work that requires highly attentive listening, it often feels more like a symphony with violin than a concerto. The work has none of the fireworks typical of tSymphonic grandeur
No wonder critics were bewildered by Brahm’s Violin Concerto in 1879. Not only is it a monumental work that requires highly attentive listening, it often feels more like a symphony with violin than a concerto. The work has none of the fireworks typical of the early 19th century concerto, although it is still a technically demanding work. It requires a fine balance of poise and passion, two qualities which violinist Guy Braunstein together with the Malta Philharmonic Orchestra under the baton of Michalis Economou, amply had. The latest MPO concert, held at the Mediterranean Conference Centre, presented two colossal works by two giants of the German Romantic tradition – Brahms and Mahler. Presenting a Brahms concerto followed by a Mahler symphony was an interesting combination, even if it made for a rather heavy programme. Wagner’s Rienzi overture, which was meant to open the concert, was wisely dropped from the programme. Brahms is one of those composers that can easily become tedious at the hands of lesser musicians. It is easy to interpret his music as being serious and Germanic, but that would be missing the point entirely. Braunstein, apart from being an undisputed master of... Read more














