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A DUTCH PAINTING that David Hockney first saw more than six decades ago in London is the resurgent inspiration for the art that graces this week’s New Yorker. “I’ve always loved it,” Hockney, 80, tells the New Yorker’s art director, Francoise MoulyA David Hockney painting inspired by a childhood favorite graces the New Yorker’s cover
A DUTCH PAINTING that David Hockney first saw more than six decades ago in London is the resurgent inspiration for the art that graces this week’s New Yorker. “I’ve always loved it,” Hockney, 80, tells the New Yorker’s art director, Francoise Mouly. “It’s a beautiful painting, the original.” That original is Meindert Hobbema’s 1689 work […] Read more